TURN+BIENALSUR 2025 in Tokyo Report

December 11, 2025—Invitation/Collaborative Program

TURN in 2025 took place in Japan and Argentina through an ongoing collaboration with the Argentina-based BIENALSUR contemporary art biennial. This year marks the 10th anniversary of the BIENALSUR collaboration, which began in 2017 and has continued through projects in various forms every two years. Building this network and base of experience, Argentinian artist Juan Solentino came to Japan for three weeks this summer and engaged with the “local community” as his exchange partner. He collaborated with local Ueno Sakuragi and Yanaka residents and deaf individuals to create works inspired by the lively summer festival held during his stay. He presented his work during the Suwa Shrine festival with the children’s portable shrine procession and the Ueno Sakuragi neighborhood’s festival float, creating a charming space for exchange.


Solentino garnered insights from local history, approaches to traditional Japanese music, and sounds in the surrounding environment, which informed this project and have the potential to bring about evolutions in his work into the future.

【TURN+BINENALSUR 2025 in Tokyo】

Artist: Juan Solentino
Exchange partners: Ueno Sakuragi and Yanaka residents, deaf individuals, and others
Exchange period: August 8 – 22, 2025

Presentation date: August 24, 2025
Venue: Geidai-beya parking area

Talk event: August 26, 2025, 18:30–20:00
Venue: Geidai-beya

 [Artist Profile]

Portrait of Argentine artist Juan Sorrentino standing in a bright studio, facing the camera.

Juan Solentino

Contemporary artist and experimental musician. Creates multimedia works including sculpture, performance, installation, video, photography, and recording, as well as sound sculptures and installations. His work is deeply connected to spatiality and functions as visual and auditory experiments. By integrating craft materials such as metal, wood, and electronic devices, he develops site-specific installations that expand the act of “listening” into multidimensional exploration. He challenges conventional notions of sound by reconstructing it as a physical and relational phenomenon.